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5 Star Award Winner! - Goldberg Magazine

£9.99

1. Sonata prima (1618)
2. Ad te levavi (1618)
3. Canzon prima (1618)
4. Canzon in ecco (1618)
5. Anima mea (1624)
6. Dic mihi (1624)
7. Canzon sestadecima (1608)
8. Canzon secunda (1618)
9. Levavi oculos meos (1618)
10. Canzon quintadecima (1608)
11. Quam pulchri sunt (1621)
12. Canzon pian e forte (1618)
13. Canzon quartadecima ‘Capricio’ (1608)
14. Canzon terza (1618)
15. Obstupescite (1621)
16. Canzon quarta (1618)
17. O salutaris hostia (1618)
18. Sonata seconda (1618)
19. Misericordias Domini (1618)

GrilloCDcover

Sheet music of works on this recording is available here!

His Majestys Sagbutts & Cornetts

Giovanni Battista Grillo - complete instrumental music & selected motets

SFZ0107

"The playing on this disc is sublime." HBS

Download tracks, or the whole album from CDBaby

Cricketmatch

Artists: Jeremy West, Jamie Savan, Bork-Frithjof Smith - cornetts | Adam Woolf, Abigail Newman, Steve Saunders, Philip Dale, Andrew Harwood-White - sackbutts | Gary Cooper - organ & harpsichord | Faye Newton - soprano | Nicholas Mulroy - tenor | Eamonn Dougan - baritone

Go to HMSC.co.uk

Reviews of this disc

Listening to the latest release from His Majestys Sagbutts and Cornetts is a genuine pleasure on so many levels. Grillo was active in Venice in the early sixteenth century. Clearly the composer most often associated with that era and locale was Giovanni Gabrieli. This recording easily succeeds in demonstrating Grillo's worth.

Grillo succeeded Gabrieli as organist at the Scuola Grande di San Rocco in 1612 and held this position until his death in 1622. Additionally he freelanced as an organist at San Marco on major feast days in 1615 and 1617, playing under the direction of Claudio Monteverdi. In 1619 he was appointed first organist at San Marco. (Gabrieli had only been the second organist there).

Grillo's music is varied. One hears the cori spezzati style of Gabrieli's Venice as well as a more forward-looking concertato style (solo voices and basso continuo alternating with tutti voices) similar to the music of Monteverdi.

The playing on this disc is sublime. It may seem to be an exaggeration, but every single phrase has been carefully shaped. Ornaments are tasteful and elegantly performed. Blend both with instruments and vocalists (eight of the nineteen tracks include voices) is exceptionally fine. Throughout the disc players perform with a purely vocal style and do so with warmth and sensitivity.

Modern editions by Bernard Thomas for eight of the tracks have alredy been published by London Pro Music. The remaining eleven are now available from Sfz Editions and were prepared by Jamie Savan and Adam Woolf, both of whom are members of HMSC.

The personnel of His Majestys Sagbutts and Cornetts has changed over its twenty-five-year span. Indeed, only its founder, Jeremy West, and sackbut player Stephen Saunders are original members. However, one recognizes numerous players from many of the group's previous recordings.

The recording is performed at A=440 in quarter-comma mean tone. Cornetti used were made by Christopher Monk Instruments, John McCann, Christoph Schuler, and Serge Delmas. Sackbuts were made by Ewald Meinl, Egger Instruments, Glassi, and Frank Tomes.

This recording is essential to HBS members. It brings to light a neglected composer and in so doing, expands our repertoire significantly. Moreover, the playing is nothing short of exquisite. A breath of fresh air.

-- James Miller. Historic Brass Society

 

It is unfair to dismiss Grillo’s music as simply influenced by Gabrieli. While a number of his works are certainly in the Gabrieli style, there is enough music that is original as well as appealing to make a case for Grillo on his own terms. The virtuoso concertato passages found in some of his instrumental works are colorful and exciting, and the cornetts of His Majestys Sagbutts & Cornetts play them beautifully. The vocal works are marvelous. While there is no denying the power of the cori spezzati motets (Misericordas Domini is a gem), motets like Dic mihi, o bone Jesu and Quam pulchri sunt gressus tuo (scored for two voices and continuo) showcase the expressive power of Grillo’s music. In addition to the wind players and singers, Gary Cooper makes outstanding contributions on harpsichord and organ throughout the recording. CRAIG ZEICHNER